Course Lists

Photography Course List

PH 201 Silver & Ink: Intro to Photo

This course introduces the fundamental techniques and aesthetic vision of photography, from traditional analogue roots to contemporary digital skills. Students learn to operate SLR-style cameras for proper exposure, using both film and digital capture methods, and learn appropriate workflows to transform film negatives into fine-prints in a traditional darkroom, as well as to edit and output archival inkjet prints in our digital print studio. The course includes demonstrations, lab work, readings, field assignments, and critiques. Students may work with their own cameras or check-out cameras through the department.

PH 232 Black & White Film Photo I

This course introduces the fundamentals of photographic practice. Emphasis is placed on the exposure, development of black and white film, and the silver print as well as the aesthetics of photographic vision. The format includes class demonstrations, lab work, field assignments and critiques.

PH 262 Digital Photography I

An introductory level course that explores the conceptual and practical principles of digital photography through lectures, readings, hands-on assignments, and field trips. Discussion topics focus on camera operation, file formats, the impact of digital technology on contemporary photographic practice, as well as the aesthetic and ethical issues surrounding it. Adobe Lightroom, Photoshop, and other software applications are used to explore creative and experimental possibilities for processing and manipulating photographs. Studio work emphasizes printed, still imagery, but students are encouraged to devise new uses for their digital materials. Introduction to input and output peripherals will include digital cameras, scanners, and printers.

PH 323 Narrative Composite & Collage

The photographic medium has a long history with observational truth, but in the 21st century, this is counterbalanced against the technological speed and potency of constructed and composited images. In this course, students will look at the deep history of photographic manipulation while creating new narrative imagery using advanced digital compositing, studio lighting, and special optical techniques. The course will also consider the role of composite imagery in art, editorial and advertising, illuminating the functions of photo-based illustrations in contemporary society.

Prerequisite: Earned credit or concurrent enrollment in FF 140

PH 325 Photo Journalism

This course is an introduction to photojournalism – visual reporting. Through weekly assignments and critiques, students will explore the role of photography and journalism. Additionally the course will focus on the photographer as a reporter and recorder of specific events and society in general. Students will complete weekly assignments designed to refine technical and reporting skills as well as two longer self-generated documentary projects that require intimate understanding of the subject matter though research, writing and photo-editing abilities. Students will also learn about the profession of photojournalism and editorial photography.

Prerequisite: PH 262

PH 332 BW2: Reimagining the Darkroom

This course expands the student’s knowledge of black and white film photography and explores the photographers reach beyond the darkroom. What opportunities become available that do not exist in the approach and qualities of digital imagery? How will you employ light, chemistry and the emulsion in your practice? We will work with small, medium, and large format cameras towards greater control of the negative and fine silver print, and also explore the extended image and camera-less photography. Class time will consist of lectures, demonstrations, work days, individual and deep emphasis on group critiques. As you move forward in the course, it is of paramount importance that your ideas and personal vision take center stage.

Prerequisite: PH 201

PH 335 Studio Lighting

Explores controlled lighting for still photography in the studio. Students use continuous light sources, electronic studio flash equipment, and natural light to photograph, from small to large studio set ups, macro photography, and models on background paper, sweeps, and locations.

Prerequisite: PH 262

PH 336 Large Format Photography

This studio class explores the long tradition of the view camera in photography. The course emphasizes fundamental techniques of 4 x 5" and 8 x 10" cameras as they apply to landscape, architectural and portrait photography. Students learn to print from large format negatives in the darkroom and digital labs. Cameras are provided.

Prerequisites: PH 262 and PH 332

PH 343 Environmentally Engaged Photo

A photographic examination of how the landscape has been altered by human incursion and the forces of nature. The course includes readings, research techniques, presentation forms, as well as group and individual projects. Students may work in black and white, color film, or digitally.

Prerequisite: PH 232 or PH 262

PH 345 Contemporary Directions

This seminar course surveys contemporary fine art photography from 1950 to the present. Course material is organized thematically around ideas of changing imaging technologies, mapping, surveillance, voyeurism, identity and culture, social justice, community engagement, participatory culture, self-referential media, and other pertinent topics. Students will respond to slide lectures with research presentations, written responses, group discussions, and visual projects for deeper analysis of the state of the medium and the possible futures it suggests. Students are strongly encouraged to take this course during their sophomore year.

Prerequisite: PH 201

PH 346 Socially Engaged Photography

This course emphasizes the use of photography as a communication tool for the visual investigation of the human experience. Through the use of the camera, students develop the skills to be effective storytellers as a means of understanding people in relation to each other, to their environments, and to society. Course discussions address the development of a personal and conscientious style, photographic honesty, the elements of editing and the possibility to generate empathy and/or social change. Guest lectures and occasional field trips to view documentary exhibitions allow for additional exploration within the field. Each student will participate in a community outreach project.

Prerequisite: PH 232 or PH 262

PH 349 Social Documentary Photography

Students photograph, research, and investigate documentary subjects of their own choice to engage in the problems of photographic production and seeing. They analyze and discuss the work of a diverse group of photographic artists, starting with Walker Evans, Dorothea Lange and the Farm Security Administration to contemporary photographers such as Doug Dubois, LaToya Ruby Frazier, Gregory Halpern, Deana Lawson, Sally Mann, and Zoe Strauss. Documentary, photojournalism, and ethics will be examined. Students may work digitally, with film, or a combination of the two.

Prerequisite: PH 201

PH 350 Expanding the Archive

While photographing disappearing Paris, Eugène Atget referred to himself not as a photographer, but as an archivist. The photograph holds an entangled relationship with collecting, and from the 1960’s onwards the artist-as-archivist phenomenon has accelerated. The creation and mining of institutional and personal collections of images, documents and objects has fueled the creativity of artists such as Boltanski, Calle, Richter, Warhol and Wilson. Advanced level photo students will explore local archives and museums to create work inspired by their holdings. Through their personal vision students will be encouraged to interpret, re-invent, define and examine the meaning of collecting.

Prerequisite: PH 232 and PH 262

PH 354 Photographic Book

An artist’s book class that uses photographic imagery as its primary source. The photographic book extends the photographic series into time and space. Assignments focus on book structures and book binding, image sequencing, and page design.

Prerequisite: PH 262

PH 355 The Body in Photography

From photography’s inception to the present moment, the body has captivated, repelled, and engaged us. From the rarified to the sensual, the erotic to the embattled, the body in photography continues to intrigue. This course is designed to keep the human form at its center, with all openness to explore the many tributaries that flow from this subject. Students are encouraged to think broadly about the figure, and to consider how the long tradition of photographing the nude has shifted in the 21st century. Students respond to specific assignments, readings, and exhibitions. The latter part of the semester consists of a self-initiated project and the production of a portfolio of work based on a personal interpretation of issues surrounding the human figure in photography.

Prerequisites: PH 262 and PH 332

PH 363 Digital Photography II

A critical seminar for the use of digital tools in artistic practice, building on skills and ideas learned in Digital Photography I. Work focuses on production and high quality output of still imagery. Specific topics are derived from readings, discussion, and critiques, and will emphasize narrative forms, such as sequencing, artist books, print-on-demand books, and/or interactive web presentations.

Prerequisite: PH 262

PH 371 Professional Strategies Photo

This course explores pre- and post-graduation strategies and professional skills for photographers. Discussions will include setting goals, time management, ethics, web presence, social media skills, grants and fellowships, artist residencies, networking and conferences, applying to internships and jobs, portfolio review events, and exhibiting in galleries, museums, and alternative spaces. We will discuss freelance business skills, such as quoting jobs, negotiating, copyright, licensing, pricing structures, invoicing, and tax responsibilities. The course includes lectures, practical exercises, packet-building, guest speakers, field trips, and attendance at Career Development workshops. In addition to other coursework, each student will complete a branded website and submit applications for external opportunities.

Junior and Senior Photography majors and concentrators only

PH 373 Picturing the Third Dimension

Explore the inherent dimensionality of the photograph, from the physical presence of the print to the expanding relationship between photography and the sculptural form. The photograph, which purports to transmute reality into a fixed 2D realm, can distort, complicate, and tease constructed materials and environments (both physical and digital) to great effect. Similarly, the photograph can quickly become a 3D object with the act of folding a printed image in half. Through a series of assignments, aimed at establishing the technical and critical means by which to investigate what constitutes a photograph, students make work and pose questions that probe the ever-shifting boundaries of the Post-Internet image.

Prerequisite: PH 262

PH 375 Narrative Strategies

It is said that a photograph wears the aspect of fact but says nothing. This ambiguity has not prevented photographs from being use to construct visual stories such as the classic picture essay. This course explores how editing and sequencing create relationships between images. The role of text and the use of allegory in contemporary photographic practice are also considered.

Prerequisite: PH 232 and PH 262

PH 386 Alchemy of Light

This course will introduce the student to historical techniques in photography and consider how these approaches can augment contemporary vision. The student will explore the concept of light and time as they work with the properties of hand-coated emulsions. Students will work in digital and analogue spaces and develop a command of the cyanotype and van dyke processes with an introduction to palladium, cliche verre and lumens print. Working with camera-less and pinhole photography, as well as film and digital negative output, the student will gain a broader understanding of experimental possibilities of imagemaking.

Prerequisite: PH 201

PH 390 Junior Seminar

With faculty mentorship, students will formulate, propose, research, and pursue a body of personal photographic work. In doing so, each student will test and iterate new concepts, raise questions, decipher problems, and invent new possibilities in their artistic practice. Emphasis is placed on building a context for one’s practice and making informed choices in the presentation of visual output. Class time will consist of group discussions, research presentations, artist statement workshops, and critique. Final coursework will be prepared and exhibited the following semester in a group exhibition.

Junior Photography Majors Only

PH 394 Palladium Printing

Palladium printing is a 19th century photographic process that yields an archival print with a long and rich tonal range. In this course, students use large format negatives and an ultraviolet light source to produce a final image of pure palladium. With focus on making the appropriate negative, the subtleties of hand-coated emulsion and the importance of paper choice. Since this is a contact process, knowledge of large format will enhance your experience, although we will cover enlarging techniques for 35mm negatives as well.

Prerequisite: PH 332 and PH 386

PH 405 Moving Photographs

Since its inception, photography has been defined by its relationship to movement. This course will dive directly into the complex relationship between stillness and motion, and the creative possibilities that flourish in the tension between these states. Students will explore precedents in fine art and cinema, and learn to look and listen closely to the rhythms of daily life around them. Projects will probe a diverse range of subjects, media, and methods for depicting and manipulating time. Using varied digital cameras and software, students will experiment with sequencing, time lapse, slow motion, image mapping, sound, suspense, surprise, and minimalist narrative structures.

Prerequisite: PH 232

PH 430 Fine Art of Digital Printing

The course explores advanced technique of digital printing. Students work on individual digital photo projects, researching the best papers, inks or other materials. Beyond the software settings and the hardware controls for making good prints, the students learn about color management, and how to effectively use it for making the exact image that they envision.

Prerequisite: PH 262 and PH 363

PH 480 Endowed Chair Seminar

The Stuart B. Cooper Endowed Chair in Photography is an annual appointment that brings a distinguished visitor to the department. This seminar course is built on themes in the current Endowed Chair’s practice and will use that exploration as a departure point for individual student projects related to those themes. Coursework will include thematic lectures, group discussions, individual and group critiques, and will culminate in a self-directed body of work by each student. A MICA faculty will choreograph the classroom experience, with regular engagement with the Endowed Chair. Registration priority is given to Photography Majors and Minors; non-majors are required to obtain faculty permission.

Prerequisite: PH 201

PH 490 Senior Thesis Project

In addition to creating a major thesis project, students write an accompanying proposal and artist’s statement. Students research avenues of professional practice. Students meet with visiting artists and critics in preparation for final critique with an external reviewer and senior thesis coordinators.

Prerequisite: PH 390 and Senior Photography majors only

PH 491 Senior Thesis Project II

This is the second half of a two semester series of studio class which is required of all photography majors. In addition to creating a major thesis project, students write an accompanying proposal and artist’s statement. Students research avenues of professional practice. Students meet with visiting artists and critics in preparation for final critique with an external reviewer and senior thesis coordinators.

Prerequisite: PH 490