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Grace Hall ‘27 (Painting BFA) Image credit: Portrait of Imauri, 2026, oil on canvas, 20 x 16 inches
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Students Recognized in Prestigious AXA Art Prize Competition

Four MICA students have been named finalists in the 2026 AXA Art Prize, one of the nation’s premier competitions recognizing outstanding undergraduate…
Grace Hall ‘27 (Painting BFA) Image credit: Portrait of Imauri, 2026, oil on canvas, 20 x 16 inches

Portrait of Imauri

Artist
Grace Hall ’27 (Painting BFA)
Date
2026
Medium
Oil and newspaper
Dimensions
20 x 16 inches
Malyssa Ollar ’28 (GFA and History of Art, Design, and Visual Culture BFA) Image credit: Pink Stripe (Cross My Mind), 2026, acrylic, thread, fabric, glass. 27 x 25 inches beads, paper, crayon, and fishing wire on shaped canvas

Pink Stripe (Cross My Mind)

Artist
Malyssa Ollar ’28 (General Fine Arts and History of Art, Design, and Visual Culture BFA)
Date
2026
Medium
Acrylic, thread, fabric, glass beads, paper, crayon, and fishing wire on shaped canvas.
Dimensions
27 x 25 inches
Klara Seib ‘26 (Painting and Studio and Humanities Sciences BFA) Image credit: Fish Bladder Configurations, 2026, graphite on paper, 11 x 7 inches

Fish Bladder Configurations

Artist
Klara Seib ’26 (Painting and Studio and Humanities Sciences BFA)
Date
2026
Medium
Graphite on paper
Dimensions
11 x 7 inches
Nadia Tomoney ‘27 (Painting BFA) Image credit: Heirloom, 2026, oil on canvas, 48 x 36 inches

Heirloom

Artist
Nadia Tomoney ’27 (Painting BFA)
Date
2026
Medium
Oil on canvas
Dimensions
48 x 36 inches
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Portrait of Sam Weible '26 (LeRoy E. Hoffberger School of Painting MFA) in their studio. + Enlarge

In The Studio: Fall 2026
Portrait of Sam Weible '26 (LeRoy E. Hoffberger School of Painting MFA) in their studio.

In The Studio: Fall 2026

The work of Sam Weible '26 (LeRoy E. Hoffberger School of Painting MFA) addresses the mechanics of perception and attention. Drawing on minimalist traditions, studies of optic effects, and their lived experience with a nervous system condition to create paintings that bring heightened awareness to the mutability of sight. Through specificity of color and optic effects, their paintings slow down the viewer and call attention to how the act of viewing allows a work to act upon them.

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