River of blood is an installation that combines elements of wild nature and  domestic environments that have been disrupted by violence. By restructuring these elements into a new harmony, the river of blood is a space that seeks to create healing and com
River of blood 2019 Mix-media 2x6x4 ft
Porcelain Casted garlic with glazes that camouflage with the environment.
Earthxorcise.2 2019 Glaze/porcelain 2 x 1 inches each
River of blood is an installation that combines elements of wild nature and  domestic environments that have been disrupted by violence. By restructuring these elements into a new harmony, the river of blood is a space that seeks to create healing and com
River of blood.3 2019 Mix-media 2x6x4 ft
life cast of ceramic faces on soil and fabric with different personal items including jewelry, photographs and books
Campo, Rocio, Lagrimas Y muerte 2019 Mix-media 4 x 7 feet
life cast of ceramic faces on soil and fabric with different personal items including jewelry, photographs and books.
Campo, Rocio, Lagrimas Y muerte.2 2019 Mix-media 4 x 7 feet.
Campo, Rocio, Lagrimas Y muerte.3 2019 Mix-media 4 x 7 feet.
Iron rusted nails water, fermented organic materials glaze/Earthenware bowls.
Wounded Vessels 2020 Iron rusted nails water, fermented organic materials glaze/Earthenware 5 inch radius each
Iron rusted nails water, fermented organic materials glaze/Earthenware bowls.
Wounded Vessels.2 2020 Iron rusted nails water, fermented organic materials glaze/Earthenware 5 inch radius each
Human Ecosystems 2020 Performance/field recordings
Tripod like structure with dead flowers hanging like a pendulum over a circle of soil with a photograph in the middle
The Act of Self-Mutilation 2019 Steel, rusted nails, dried flowers, Polaroid/wood/soil 12 x 7 feet
Tripod like structure with dead flowers hanging like a pendulum over a circle of soil with a photograph in the middle
The Act of Self-Mutilation.2 2019 Steel, rusted nails, dried flowers, Polaroid/wood/soil 12 x 7 feet
Tripod like structure with dead flowers hanging like a pendulum over a circle of soil with a photograph in the middle
The Act of Self-Mutilation.3 2019 Steel, rusted nails, dried flowers, Polaroid/wood/soil 12 x 7 feet
The Act of Self-Mutilation.4 2019 Steel, rusted nails, dried flowers, Polaroid/wood/soil 12 x 7 feet
Tripod like structure with dead flowers hanging like a pendulum over a circle of soil with a photograph in the middle
The Act of Self-Mutilation.5 2019 Steel, rusted nails, dried flowers, Polaroid/wood/soil 12 x 7 feet
Porcelain Casted garlic with glazes that camuflage with the environment
Earthxorcise 2019 Glaze/porcelain 2 x1 inches each
Porcelain Casted garlic with glazes that camouflage with the environment.
Earthxorcise.2 2019 Glaze/porcelain 2 x 1 inches each
Porcelain Casted garlic with glazes that camouflage with the environment.
Earthxorcise.3 2019 Glaze/porcelain 2 x 1 inches each
Porcelain Casted garlic with glazes that camouflage with the environment.
Earthxorcise.4 2019 Glaze/porcelain 2 x 1 inches each
Un-Rapture was the closing performance of a series addressing the traumatic recovering and grieving process that women and nature have to go through after a situation of abuse.
Un-Rapture 2018 Performance/mix media
Un-Rapture was the closing performance of a series addressing the traumatic recovering and grieving process that women and nature have to go through after a situation of abuse.
Un-Rapture.2 2018 Performance/mix media
Un-Rapture was the closing performance of a series addressing the traumatic recovering and grieving process that women and nature have to go through after a situation of abuse.
Un-Rapture.3 2018 Performance/mix media
Un-Rapture was the closing performance of a series addressing the traumatic recovering and grieving process that women and nature have to go through after a situation of abuse.
Un-Rapture.4 2018 Performance/mix media
Un-Rapture was the closing performance of a series addressing the traumatic recovering and grieving process that women and nature have to go through after a situation of abuse
Un-Rapture.5 2018 Performance/mix media
Un-Rapture.6 (soundcloud) 2018 Performance/mix media
En Voz Baja 2020 Collage 7x5 Inches
Statement

Through different sculptural processes such as ceramics, installation, metalsmithing/jewelry, metal and wood fabrication, performance, objects that serve as a documents of action and photosculpture; I’ve developed an ecofeminist and animist art practice that revolves around revealing how western patriarcal/filiarchal structures, (including domestic violence) and rape culture serve as the root of ecosystemic violence and how these are reflected on our current enviromental and social climate.

My methodology to unveil this information is finding and creating strategies and spaces in which the spectator and myself can recognise and take responsibility as victims, perpetrators and survivors of such systems.

I search to create relational aesthetics that enhance viewer become one with the other/Silent Matter (non-verbal or entities that have been silenced through history, such as women and nature).

By reconnecting with their/our own bodies, nature, materiality, healing, spirituality and repressed feelings. Giving them access and opportunities to release inner tensions through catharsis and fulfillment of biological and ecological cycles, such as resting, grieving, eating, integration with nature,moments of intimacy,etc. that serve as initial foregrounds to deconstruct the patriarchal/filliarcal values that have penetrated our current environment and we have internalized by living under these systems of violence.