Outside Inside 2020
Satellite photos of Salt Lake City, Utah spliced/woven into images of my digital "scape" model.
Splice Generation: "This Might Be It" 2020 Paper 11x17in
Satellite photos of Salt Lake City, Utah spliced/woven into images of my digital "scape" model.
Splice Generation: "This Might Be It" 2 2020 Paper 11x17in
Satellite photos of Salt Lake City, Utah spliced/woven into images of my digital "scape" model.
Splice Generation: "This Might Be It" 3 2020 Paper 11x17in
Paper is manipulated to emulate mountainous/untouched terrain, then strips of a paper weave meant to signify city grid are then interwoven in various ways to the "unbuilt" landscape.
Maybe Possibly It: model generation "n" 2020 Construction paper 8.5x11x4 in.
Paper is manipulated to emulate mountainous/untouched terrain, then strips of a paper weave meant to signify city grid are then interwoven in various ways to the "unbuilt" landscape.
Maybe Possibly It: model generation "n" 2 2020 Construction paper 8.5x11x4 in.
Paper is manipulated to emulate mountainous/untouched terrain, then strips of a paper weave meant to signify city grid are then interwoven in various ways to the "unbuilt" landscape.
Maybe Possibly It: model generation "n" 3 2020 Construction paper 8.5x11x4 in.
images of desert landscape are woven (or "spliced") into each other, playing off of various found colors in the images such as orange, blue, and green.
This is Interesting: First Woven Models 2020 Paper roughly 5x6
images of desert landscape are woven (or "spliced") into each other, playing off of various found colors in the images such as orange, blue, and green.
This is Interesting: First Woven Models 2 2020 Paper roughly 5x6
Trace paper is manipulated to look like natural terrain and construction paper is splice and woven and glued together to emulate the "woven-flat-collage" of a city grid. Nearly a hundred various each type of model exist.
I Found my Dichotomy: City and Scape 1 2020 Paper ranges from 24x18in to 6x8in
Trace paper is manipulated to look like natural terrain and construction paper is splice and woven and glued together to emulate the "woven-flat-collage" of a city grid. Nearly a hundred various each type of model exist.
I Found my Dichotomy: City and Scape 2 2020 Paper ranges from 24x18in to 6x8in
Trace paper is manipulated to look like natural terrain and construction paper is splice and woven and glued together to emulate the "woven-flat-collage" of a city grid. Nearly a hundred various each type of model exist.
I Found my Dichotomy: City and Scape 3 2020 Paper ranges from 24x18in to 6x8in
Trace paper is manipulated to look like natural terrain and construction paper is splice and woven and glued together to emulate the "woven-flat-collage" of a city grid. Nearly a hundred various each type of model exist.
I Found my Dichotomy: City and Scape 4 2020 Paper ranges from 24x18in to 6x8in
Trace paper is manipulated to look like natural terrain and construction paper is splice and woven and glued together to emulate the "woven-flat-collage" of a city grid. Nearly a hundred various each type of model exist.
I Found my Dichotomy: City and Scape 5 2020 Paper ranges from 24x18in to 6x8in
Landscape Splicing 1 2020
Landscape Splicing 3
Landscape Splicing 4 2020
Various types of paper manipulated/crumpled/folded into different shapes to better understand how I could use paper manipulation as means of telling a story. These models are then scanned into a computer and further manipulated and "played with"
Analog to Digital: Paper Explorations 1 2020 Paper and RHINO sotware analog models range from 18x18x6in to 4x3x1in
Analog to Digital: Paper Explorations 2
Various types of paper manipulated/crumpled/folded into different shapes to better understand how I could use paper manipulation as means of telling a story. These models are then scanned into a computer and further manipulated and "played with"
Analog to Digital: Paper Explorations 3 2020 Paper and RHINO sotware analog models range from 18x18x6in to 4x3x1in
Analog to Digital: Paper Explorations 4 2020
Various types of paper manipulated/crumpled/folded into different shapes to better understand how I could use paper manipulation as means of telling a story. These models are then scanned into a computer and further manipulated and "played with"
Analog to Digital: Paper Explorations 5 2020 Paper and RHINO sotware analog models range from 18x18x6in to 4x3x1in
Believe it or not I started this thesis wanting to further understand how a horse-barn interacts with it's land. As I moved through my work I began to let go of this "horsey beginning" and begin to ask this question of myself: how do I as a huma
Horsey Beginings 1 2020 Paper, altoid tin, markers, graphite ranges
Horsey Beginnings 2 2020
Horsey Beginnings 3
Believe it or not I started this thesis wanting to further understand how a horse-barn interacts with it's land. As I moved through my work I began to let go of this "horsey beginning" and begin to ask this question of myself: how do I as a huma
Horsey Beginings 4 2020 Paper, altoid tin, markers, graphite ranges
Horsey Beginings 5 2020 Paper, altoid tin, markers, graphite ranges
Statement

My childhood heart home was a barn full of horses tucked away on the shores of a New York State Reservoir. Then I went to MICA where I ended my time at art school with a thesis that spliced together two different experiences of home; outdoor experiences of mountains and landscapes out West where half of my family is from, and the suburbs where I grew up in the East. Each experience is framed by the context of its landscape, and each landscape expressed via paper. The practices learned in my most recent work have helped me develop the seeds of an architectural landscape design practice-- one I hope to take forth with me as I move onto "the next thing."