Staff: Preparing, Transforming

Story by Trish Shea

4 days, 7 buildings, 300+ students, 130 pedestals, 100 tech requests fulfilled, thousands of artworks installed. It takes a village to transform ArtWalk into a student showcase, reflecting months of preparation, innovation, and evolving artistic vision.

Since its modest beginnings in 2009, MICA’s ArtWalk has evolved from a ticketed Thursday evening event into one of Baltimore’s most anticipated public art showcases. According to Andrea Dixon, Director of the Office of Exhibitions, the transformation has been remarkable. “What started as a seated dinner event for a select crowd has become a massive celebration of student creativity,” Dixon explains. Now a public event that welcomes thousands, ArtWalk is a dynamic, campus-wide exhibition highlighting the vision and talent of graduating undergraduate artists.

Coordinating an event of this scale is no small feat. ArtWalk spans 300 to 400 installations across multiple buildings and spaces, each with its own technical and structural demands. “We’re building temporary walls, moving over 130 pedestals, fulfilling around 100 tech requests, and even coordinating ceiling installations — all while navigating the quirks of historic architecture,” says Dixon. Yet for all the behind-the-scenes complexity, the joy of seeing students proudly install their work and families in awe of the breadth of talent makes it all worthwhile. “It’s our largest exhibition, and there’s an incredible sense of accomplishment for everyone involved.”

Dixon notes how ArtWalk 2025 brought exciting new developments. “We’re seeing a strong return to large-scale work after the pandemic years, and an increased presence of computer-aided and digital art.” The influence of new faculty has also added fresh perspectives to the mix, continuing ArtWalk’s legacy as a showcase not just of student work, but of evolving artistic practices. Every year, the team reflects through post-event reviews to fine-tune the process. “We’ve documented every step — from faculty meetings to student thesis consultations — to ensure smooth execution year after year,” she adds.

With months of preparation beginning as early as January, the coordination effort relies on a finely tuned system led by Dixon’s team and guided by input from students and faculty alike. The result is an event that honors the full spectrum of MICA’s creative disciplines — from painting and sculpture to animation, product design, and game development — in a cohesive and inspiring experience.

Above all, Dixon hopes that visitors leave ArtWalk 2025 energized and inspired. “These artists are at a formative stage. They’re experimenting, evolving, and taking risks,” she says. “That freedom and curiosity are palpable throughout the exhibition. ArtWalk isn’t just about showcasing finished work — it’s about celebrating creative potential.”