Stephen Hendee

Faculty and Chair / First Year Experience; Faculty / Illustration; Faculty / Interdisciplinary Sculpture BFA

For more than three decades, Stephen Hendee has refined a techno-futurist aesthetic that is both dystopian and filled with longing. A pioneer of the low-poly aesthetic, he translates the vectorized geometry of virtual design into physical materials. Inspired by digital culture and science fiction, Hendee's real-world simulations of virtual spaces, topographic-like drawings, and intricate sculptures and prints imagine speculative creatures, spaces, and forms. As our dependence on technology deepens, Hendee's work counters with a warning.

Presciently highlighting the dark potential of technology-human interplay since the dawn of the internet, Hendee’s work is more urgent than ever as we catapult into an uncertain artificial intelligence-driven future.

Portfolio Pieces

Golem XIV (2020) is a pinball machine with a theme that celebrates the science fiction literature of Stanislaw Lem, who's ideas about Artificial Intelligence have been influential in both speculative fiction and non-fiction scientific communities. Golem XIV is a preface for a fictional technical research paper in the book Imaginary Magnitude, a collection of fictional prefaces for books that do not exist. Golem XIV describes a world where an AGI becomes a philosophical and cultural monolith. + Enlarge
Melt Up (2018) is a digitally engineered and fabricated sculpture with a black geometric lattice work inlayed with orange chrome reflective windows. Out of the top of the cylindrical form, long flat fingerlike arms protrude up and open out like a toxic flower, the interior appears to be filled with black and silver melted plastic clinging to itself overlayed and matted. + Enlarge

Golem XIV

Golem XIV (2020) is a pinball machine with a theme that celebrates the science fiction literature of Stanislaw Lem, who's ideas about Artificial Intelligence have been influential in both speculative fiction and non-fiction scientific communities. Golem XIV is a preface for a fictional technical research paper in the book Imaginary Magnitude, a collection of fictional prefaces for books that do not exist. Golem XIV describes a world where an AGI becomes a philosophical and cultural monolith.

Artist
Stephen Hendee
Date
2020

Melt Up

Melt Up (2018) is a digitally engineered and fabricated sculpture with a black geometric lattice work inlayed with orange chrome reflective windows. Out of the top of the cylindrical form, long flat fingerlike arms protrude up and open out like a toxic flower, the interior appears to be filled with black and silver melted plastic clinging to itself overlayed and matted.

Artist
Stephen Hendee
Date
2018
1 of 2

Search for anything and everything at MICA: