| Course Title | Course # | Credits |
|---|---|---|
| Seminar I | PH 5590 | 9 |
| Seminar II | PH 5591 | 9 |
| Thesis I | PH 6500 | 9 |
| Thesis II | PH 6501 | 9 |
| Course Title | Course # | Credits |
|---|---|---|
| Core Practicum I | PH 5575 | 3 |
| Core Practicum II | PH 5576 | 3 |
| Core Practicum III | PH 6525 | 3 |
| Core Practicum IV | PH 6526 | 3 |
| Course Title | Course # | Credits |
|---|---|---|
| Graduate liberal arts seminars or undergraduate courses with permission of the director | 12 |
Total Credits for the MFA in Photographic and Electronic Media: 60
Course Descriptions
Photographic and Electronic Media Seminar I
PH 5590
6-12 credits
Druckrey. Offered fall. A studio seminar with critiques and discussion centered around the students’ work and practice within a historical and theoretical framework. Includes visiting critics, artists, historians, and technical workshops. Prerequisite: MFA in photography and digital imaging students only.
Photographic and Electronic Media Seminar II
PH 5591
6 credits
Druckrey. Offered spring. A continuation of PH 5590. Prerequisite: MFA in photography and digital imaging students only.
Photographic and Electronic Media Thesis I
PH 6500
6-9 credits
Druckrey. Offered fall. An independent studio class designed to monitor and guide the development of the student’s thesis project, conceptually and technically. It involves periodic meetings with the student’s thesis committee to review the progress of the work and the writing of the thesis proposal and statement. Prerequisite: MFA in photography and digital imaging students only.
Photographic and Electronic Media Thesis II
PH 6501
6-9 credits
Druckrey. Offered spring. A continuation of PH 5600 and results in the MFA thesis project. Prerequisite: MFA in photography and digital imaging students only.
Core Practicum I, II, III, IV
PH 5575, PH 5576, PH 6525, PH 6526
3 credits each
Four areas will be covered in this course: programming, networks, operating systems, circuits and devices. Taught with artistic work in mind, these core areas are vital in understanding how essential technical knowledge can serve how the production, dissemination, and conceptualization of work can be approached with working skill sets in areas that ground many practices in photographic and media art. Topics will be presented to demonstrate the usefulness and benefits of taking control of systems. Prerequisite: MFA in photography and digital imaging students only.
Maps & Directions