Judith Page is a nationally recognized curator, writer and artist living in Brooklyn, New York. Page is currently curator for Breaking Boundaries and Icons & Idols, national traveling exhibitions organized for the Atlantic Center for the Arts in New Smyrna Beach, FL. Breaking Boundaries, an exhibition of works on paper, includes musical scores, annotated manuscripts and drawings by such artists as Edward Albee, William Kentridge, Allen Ginsburg, Lynda Benglis and Pauline Oliveros. It has traveled to eight venues, most recently to the ISE Cultural Foundation in New York, NY. Icons & Idols, featuring photographs by acclaimed artist Jack Mitchell, traveled to The Andy Warhol Museum, The Frist Center for Visual Arts, and the University of Richmond among others. Page also curated The Space Between Words for Kean University as part of Transcultural New Jersey, a statewide initiative including over twenty major institutions. A catalog featuring an essay by Page was published by Rutgers University.

In 2007, Page curated Inventory Control for Dowling College in Oakdale, NY which was reviewed by Ben Gennochio for The New York Times. An illustrated catalog was published with an essay by Page. Other curatorial projects include those for Sculpture Center, NY, NY; Vanderbilt University, Nashville, TN; and Florida State University, Tallahassee. As curator of the Valencia College Galleries in Orlando, Florida from 1979-1992, she presented over 150 exhibitions of contemporary art; received ten state and regional exhibition grants; and was a member of the Florida Art Museum Directors Association. She writes on a regular basis for numerous publications including Sculpture magazine, and for exhibition catalogs. Her essay on Annette Messager was recently included in A Sculpture Reader: Contemporary Sculpture Since 1980 published by ISC Press. In 2007, Sanctuary: Anna Tomczak Photography, published by the Florida Museum of Art includes her essay, Anna Tomczak: In Retrospect. Also in 2007, The Wall Opens, written for the exhibition Optical Allusions was published by Wake Forest University.

Page also lectures frequently on many subjects, has served on numerous selection juries and panels. Page was the founding Program Director for Emerge, a professional development fellowship program for emerging artists, sponsored by Aljira, a contemporary art center in Newark, NJ. Emerge is a nationally recognized program partially funded by grants from the National Endowment for the Arts and the New Jersey State Council on the Arts. During Page's tenure from 1999-2004, she mentored over one hundred artists from the New York/New Jersey metropolitan area who learned skills to help them achieve success in their chosen field. In 2004, she began teaching at the Maryland Institute College of Art where she developed Career Development for Visual Artists courses at both the graduate and undergraduate level.

As an artist, Page received Individual Artist's Fellowships from the Gottlieb Foundation in 2002; from the Pollock-Krasner Foundation in 2005-06 and 1998-99; from the State of Florida in 1992-93 and 1983-84; and was a Thomas P. Johnson Distinguished Visiting Scholar at Rollins College in 2001. Exhibitions include The Photograph as Canvas, The Aldrich Contemporary Art Museum, Ridgefield, CT; Disarming Beauty: The Venus de Milo in 20th Century Art, Dali Museum, St. Petersburg, FL; Peace Tower at the Whitney Biennial, Whitney Museum of American Art, New York, NY and recent solo exhibitions at Islip Art Museum, East Islip, NY; Luise Ross Gallery, New York, NY; Wake Forest University, Winston-Salem, NC; and Lesley Heller Gallery, New York, NY. In 2008, she will have a solo exhibition at the Massry Center for the Arts, The College of Saint Rose in Albany, New York.

Known for her inventive use of materials and stimulating social commentary, Page's numerous exhibitions and installation projects were written about in Art Papers; Cover; The Brooklyn Rail; World Art; The New York Times; Art on Paper; Arts Magazine; artnet magazine; and Art in America. In 2008, a sixteen page artist project will be published in the literary/art journal, Post Road. Page's art is represented in numerous permanent collections including the Florida House of Representatives; Islip Art Museum, East Islip, NY; Museum of Fine Arts, Tallahassee, FL; University of Kentucky Art Museum, Lexington; Mint Museum of Art, Charlotte, NC; and Orlando Museum of Art, FL.